{"id":755,"date":"2017-04-04T18:58:13","date_gmt":"2017-04-04T15:58:13","guid":{"rendered":"http:\/\/kuljuntausta.com\/?p=755"},"modified":"2017-04-04T18:58:13","modified_gmt":"2017-04-04T15:58:13","slug":"sound-box-2-0","status":"publish","type":"post","link":"https:\/\/kuljuntausta.com\/index.php\/2017\/04\/04\/sound-box-2-0\/","title":{"rendered":"Sound Box 2.0"},"content":{"rendered":"<h3>Sound Box 2.0<\/h3>\n<p>1999<\/p>\n<p>Petri Kuljuntausta curated online sound exhibition for Kiasma Contemporary Art Museum in 1999. The online exhibition contained 40 works from international artist and composers.<\/p>\n<p>Programmer Aki Kivel\u00e4 programmed the interface based on Teuvo Kohonen&#8217;s SOM mapping theory. The mapping was constructed based on Petri&#8217;s analysis of the inner elements of the sound works. The categories were:<\/p>\n<p>* electronic sound (synthetic, computer generated)<br \/>\n* human voice (speech, singing)<br \/>\n* intrumental \/ musical sound (or synthetic modelling of acoustic sound)<br \/>\n* nature sound, concrete sound<br \/>\n* urban sound<\/p>\n<p>From the SOM map the user can select the artists and composers, or listen to the works according to their sound elements.<\/p>\n<p>&nbsp;<\/p>\n<p>The works of Sound Box 2.0:<br \/>\n1 \u00a0\u00a0\u00a0 Mathew Adkins \u00a0\u00a0 \u00a0Mapping<br \/>\n2 \u00a0\u00a0\u00a0 Marc Ainger \u00a0\u00a0 \u00a0Shatter<br \/>\n3 \u00a0\u00a0\u00a0 Pierre-Andr\u00e9 Arcand &amp; Jocelyn Robert &amp; Martin Meilleur &amp; Christof Migone &amp; Diane Landry &amp; Chantal Dumas &amp; David Michaud \u00a0\u00a0 \u00a0La Semaine Avatarienne<br \/>\n4 \u00a0\u00a0\u00a0 Christian Banasik \u00a0\u00a0 \u00a0&#8230;Letzte Geb\u00e4rde Offener M\u00fcnder<br \/>\n5 \u00a0\u00a0\u00a0 Steve Bradley \u00a0\u00a0 \u00a0Wire Music<br \/>\n6 \u00a0\u00a0\u00a0 Kristine Burns \u00a0\u00a0 \u00a0Garlands: Somewhere&#8230;<br \/>\n7 \u00a0\u00a0\u00a0 Warren Burt \u00a0\u00a0 \u00a0La Strega Bianca Della Luna II<br \/>\n8 \u00a0\u00a0\u00a0 Lelio Camilleri \u00a0\u00a0 \u00a0Bossa No Chance<br \/>\n9 \u00a0\u00a0\u00a0 Guto Caminhoto \u00a0\u00a0 \u00a0Paisagens Londrinenses 1<br \/>\n10 \u00a0 Crawling With Tarts \u00a0\u00a0 \u00a0End Loop Haiku<br \/>\n11 \u00a0 Yves Daoust \u00a0\u00a0 \u00a0Impromptu<br \/>\n12 \u00a0 Francis Dhomont \u00a0\u00a0 \u00a0En Cuerdas<br \/>\n13 \u00a0 Paul Dibley \u00a0\u00a0 \u00a0Thalis<br \/>\n14 \u00a0 Douglas Doherty \u00a0\u00a0 \u00a0Pacific 462<br \/>\n15 \u00a0 Kui Dong \u00a0\u00a0 \u00a0Flying Apples<br \/>\n16 \u00a0 Frank Ekeberg \u00a0\u00a0 \u00a0Ebb<br \/>\n17 \u00a0 Fon \u00a0\u00a0 \u00a0Sciatic<br \/>\n18 \u00a0 Howard J. Fredrics* \u00a0\u00a0 \u00a0The Raven\u2019s Kiss<br \/>\n19 \u00a0 Diego Garro \u00a0\u00a0 \u00a0Peacekeepers<br \/>\n20 \u00a0 Thomas Gerwin \u00a0\u00a0 \u00a0Kurzgeschichten<br \/>\n21 \u00a0 Joseph Hyde \u00a0\u00a0 \u00a0Vox Mecanix<br \/>\n22 \u00a0 Keiichi Kitahara \u00a0\u00a0 \u00a0Condensed Cloth<br \/>\n23 \u00a0 Claire Laronde \u00a0\u00a0 \u00a0Nouvelle<br \/>\n24 \u00a0 Elaine Lillios \u00a0\u00a0 \u00a0Arturo<br \/>\n25 \u00a0 Doug Michael \u00a0\u00a0 \u00a0Extensions #2<br \/>\n26 \u00a0 Dennis Miller \u00a0\u00a0 \u00a0Vantage Point<br \/>\n27 \u00a0 Ed Osborn \u00a0\u00a0 \u00a0Language Master (Early Years)<br \/>\n28 \u00a0 Alistair Riddell \u00a0\u00a0 \u00a0Steam Land<br \/>\n29 \u00a0 Riccardo Santoboni \u00a0\u00a0 \u00a0Rituals<br \/>\n30 \u00a0 Claude Schryer \u00a0\u00a0 \u00a0Entre Ici Et L\u00e0: Croyance<br \/>\n31 \u00a0 Jarmo Sermil\u00e4 \u00a0\u00a0 \u00a0But I Didn\u2019t Know It Was Spring<br \/>\n32 \u00a0 Rodrigo Sigal \u00a0\u00a0 \u00a0Babel<br \/>\n33 \u00a0 Johannes S. Sistermanns \u00a0\u00a0 \u00a0Auf Blau Zugehen: Berlin, Raumgehen<br \/>\n34 \u00a0 Pete Stollery \u00a0\u00a0 \u00a0Onset\/Offset<br \/>\n35 \u00a0 Benjamin Thigpen \u00a0\u00a0 \u00a0Step, Under<br \/>\n36 \u00a0 Jacques Tremblay \u00a0\u00a0 \u00a0H\u00e9r\u00e9sie Ou LesBas-Reliefs Du Dogme<br \/>\n37 \u00a0 Hans Tutschku \u00a0\u00a0 \u00a0Extr\u00e9mit\u00e9s Lointaines<br \/>\n38 \u00a0 Mario Verandi \u00a0\u00a0 \u00a0Figuras Flamencas<br \/>\n39 \u00a0 Dajuin Yao \u00a0\u00a0 \u00a0Garden Of Memories<br \/>\n40 \u00a0 Sean Paul Zitello &amp; Peter Valsamis \u00a0\u00a0 \u00a0The Boil &amp; The Poultry Chef\u2019s Desire<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sound Box 2.0 1999 Petri Kuljuntausta curated online sound exhibition for Kiasma Contemporary Art Museum in 1999. The online exhibition contained 40 works from international artist and composers. Programmer Aki Kivel\u00e4 programmed the interface based on Teuvo Kohonen&#8217;s SOM mapping theory. The mapping was constructed based on Petri&#8217;s analysis of the inner elements of the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":756,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[],"jetpack_featured_media_url":"https:\/\/kuljuntausta.com\/wp-content\/uploads\/2017\/04\/Soundbox2-SOM.jpg","jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sound Box 2.0 - Petri Kuljuntausta<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kuljuntausta.com\/index.php\/2017\/04\/04\/sound-box-2-0\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sound Box 2.0 - Petri Kuljuntausta\" \/>\n<meta property=\"og:description\" content=\"Sound Box 2.0 1999 Petri Kuljuntausta curated online sound exhibition for Kiasma Contemporary Art Museum in 1999. The online exhibition contained 40 works from international artist and composers. Programmer Aki Kivel\u00e4 programmed the interface based on Teuvo Kohonen&#8217;s SOM mapping theory. 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